
“Extra-muros, architectures of delight” is an exhibition originally produced and designed from a catalogue of photographs and critics of contemporary architecture, coordinated by the Cité de l’architecture et du patrimoine / Institut français d’architecture.
This exhibition has been specifi cally tailored for a worldwide presentation, focusing on architecture in tune with current urban situations, territorial or program-related issues that are relevant throughout the world.
Through a critical mass effect, the juxtaposition of the 40 projects presented says that “good” architecture isn’t as rare as it seems, and that if we do not see it that’s surely because it isn’t where we expect it, because it’s simpler, more modest or simply less preoccupied with its durability than we imagine.
The exhibiton was prepared from collections of Museum of architecture in Wroclaw. The theme is graphical images of european cities. This theme came up in graphic art at the end of 15th century, at times when this young field of art experienced unusual development. The development of letterpress followed by greater book distribution helped to develop ilustrations. Firstly it was done by wood engraving and later on by brass engraving, aquatints and in 19th century even steel engraving and litography. In luxury publications are graphics coloured.
In 15th century, humanism was born in Italy. It spread across Europe and helped to discover other parts of the world, sometimes far away, sometimes close. More accurate descriptions of the world came up as illustrations, maps, panoramic views included in chronicles and atlases or published as single graphic sheets. Panoramic views should on one hand introduce the town as it is and on the other hand it should be suited to the common image of the town. That is why particular illustrations were diferent from the real appearance of pictured towns.
The most famous sculpture of st. John of Nepomuk made by Jan Brokoff in year 1683 stands on Charles Bridge. Moravian Ostrava has its own baroque „Nepomuk“ from the year 1717 situated behind the Church of st. Wenceslas. Silesian Ostrava had a similar sculpture at the junction of Ostravice and Lučina. The sculpture was moved towards bridge over river Lučina behind the silesian-ostrava castle probably in twenties of last century. Because of the sculptures disrepair it was moved to Museum of Ostrava where it stayed for another fifteen years.
On the occasion of opening of the Silesian Gallery in the Silesian Ostrava townhall was the baroque „silesian-ostrava“ sculpture of st. John of Nepomuk moved back on silesian bank of river Ostravice and displayed at the gallery premises.
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